11/21/2023 0 Comments Audio hijack for iphoneThe downside is that you’ll have to run cables for every input and output you use. You could certainly use a USB or Thunderbolt audio interface to accomplish the same goal. I wrote a seperate post on Audinate Dante and how we use it here, but in this blog post, Dante is simply acting as our audio interface. It’s flexible, reliable, and keeps us from having to purchase, manage, and maintain separate devices for each of those functions. Hopefully, that has led you to find creative ways to stretch every dollar and squeeze every ounce of capability out of each piece of valuable equipment you have.This blog post is about how we use Audinate Dante ($29.99 per computer, plus a device that can function as a master clock) and Audio Hijack ($59) to allow a single early 2009 Mac Pro to perform the functions of video playback (with ProPresenter), background music playback (with iTunes and/or Spotify), and backup audio recording for our services. I could just as easily here, set up pairs of AUNetSend in Hosting Au, and route the processed audio back to Ableton Live with receiving pairs of AUNetReceive, or forward the audio on to another plugin host for recording, like Audio Hijack (which hosts AU plugins).Īudio Hijack from Rogue Amoeba is another excellent audio router for the Mac, allowing you to record and route audio from and to any sources.As Craig Groeschel says, innovation is often borne out of limitations, and as many of you know as volunteer audio/video techs for a small church: limitations abound. Both are sending Audio to Hosting AU, where as you see I have an additional 3 slots below each instance of AUNetReceive, to process my audio through different AU & VST Effects, before the Audio is ultimately played out through the Presonus Quantum audio interface. You can use them as a second audio source or receiver on a track, and you’ll probably think of other ways to fit your needs.īelow I have Ableton Live 10 with 2 Instances of AUNetSend, on Track 2, and on A Return Channel. You can send as many audio sources through the Sender as you like, or you can set up separate instances if you wish to send mono channels, which is also nice as you can send each mono channel to a receiver that can be located anywhere in the audio chain, allowing a great deal of audio channel flexibility for mixing and the like.Īnother way to utilize AUNetSend & AUNetReceive is to use them on multiple tracks within your DAW or plugin host. I like to have an instance of AUNetSend on a return track, this allows me to quickly send audio from different tracks out from that return track for monitoring, cueing, or processing. Similarly, AUNetSend & AUNetReceive are effective to set up separate audio monitoring chains. So the lossless audio transmission AUNetSend & AUNetReceive afford, allow me to transmit audio to multiple plugin hosts for distributed processing. Much of my audio routing is done to optimize the amount of processing power I can use. You can also select a custom port for the Send/Receive pair to work on, and set a password for the pairing if securing the audio stream is an importance, in a live or public venue, by example. You can run as many pairs of AUNetSend and AUNetReceive as your host can accommodate, and have excellent options for the Data Format of the Audio you wish to send: As the pair of names implies, the pair is comprised of an Audio Sender, and an Audio Receiver.īoth the Sender and the Receiver require an Audio Unit Host. One helpful tool built into macOS is a pair of Audio Units (AU’s), Apple’s AUNetSend and AUNetReceive.
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